حافظ على بساطة الحدث واترك الإضاءة والمشاعر تقودان اللقطة

عند تصوير مشهد عاطفي، لا تملأ الفيديو بأفعال كثيرة. ثبّت مصدر الضوء، امنح تعبيرات الوجه وقتًا كافيًا، وحدد اللحظات الدقيقة للنظر أو الكلام.

GLOBAL STYLE: Intimate cinematic drama, 16:9, natural skin texture, restrained performances, no subtitles, no logos.
SCENE: At sunrise on a quiet stone pier, two old friends sit facing the sea after years apart. Their conversation is carried by pauses, glances and one brief smile.
CHARACTERS: Two men in their late thirties, distinct faces and wardrobes, consistent throughout.
FIRST FRAME AND BLOCKING: Both are already seated; Character A remains frame-left, Character B frame-right.
SHOT 1: Wide rear two-shot, slow dolly forward as soft waves reach the pier. Hard cut.
SHOT 2: Close-up on Character A as he looks down, then meets his friend's eyes. Hard cut.
SHOT 3: Close-up on Character B, a restrained smile forming. Hard cut.
SHOT 4: Return to the wide rear shot as both face the horizon.
CAMERA: Stable dolly and tripod behavior, no handheld shake.
PHYSICS: Natural sea movement, light wind affecting hair and jacket fabric.
LIGHTING: One low sunrise source from frame-right with cool sky fill.
AUDIO: Continuous waves and distant harbor ambience. No music, no narration.

اربط القطعات بالحركة وحدد أثر كل ضربة

مشاهد الأكشن تحتاج مسار حركة واضحًا، اتجاه شاشة ثابتًا، وفيزياء تحمل وزنًا حقيقيًا. اجعل كل قطع يحدث على فعل يمكن تتبعه.

GLOBAL STYLE: Grounded modern action cinema, gritty photorealism, 16:9, practical stunt energy, no gore.
SCENE: A courier escapes through an underground parking garage while two pursuers close in.
CONTINUITY: The courier always travels screen-left to screen-right. Same red backpack, grey jacket and motorcycle helmet in every shot.
SHOT 1: Low wide tracking shot beside the courier sprinting between concrete columns. Hard cut on the foot landing.
SHOT 2: Tight handheld shot as a pursuer grabs the backpack strap; the courier turns with full body weight. Hard cut on impact.
SHOT 3: Medium orbit as the courier breaks free and slides across a car hood. Hard cut on the slide ending.
SHOT 4: Long-lens view down the garage aisle as the courier reaches the motorcycle.
CAMERA: Reactive handheld during contact, stabilized tracking during running.
PHYSICS: Real momentum, fabric tension, believable recoil, no floating bodies.
LIGHTING: Cold fluorescent ceiling lights with one warm exit sign accent.
AUDIO: Footsteps, breath, fabric pulls, tire squeal and concrete reverb. No music.

ثبّت المنتج أولًا ثم ابنِ التأثير حوله

في الإعلانات، شكل المنتج ولونه ونسبه أهم من المؤثر البصري. اكتب قواعد لا تسمح بإعادة تصميم العبوة أو ظهور شعارات إضافية.

GLOBAL STYLE: Premium daylight product commercial, crisp photorealism, clean saturated color, 9:16.
ACTIVE REFERENCES: Reference A controls the actor's identity and wardrobe only. Reference B controls the exact bottle shape, label layout, cap, material and color.
SCENE: A runner stops beside a city fountain, lifts the bottle, takes one drink, and a cool ripple of light travels across the pavement.
PRODUCT LOCK: The bottle never changes shape, scale, label position or color. No extra text or duplicate products.
SHOT 1: Handheld follow as the runner approaches the fountain. Hard cut.
SHOT 2: Macro insert of condensation moving down the bottle surface. Hard cut.
SHOT 3: Medium frontal shot of the drink and the light ripple spreading from the runner's feet.
PHYSICS: Real water droplets, natural grip deformation, physically believable liquid movement.
LIGHTING: Bright overcast daylight with a soft rim on the bottle.
AUDIO: City ambience, footsteps, cap click, water movement and one clean tonal pulse. No dialogue.

عامل البيئة باعتبارها الشخصية الرئيسية

ثبّت اتجاه الحركة وكرر إيقاعًا بصريًا واحدًا عبر اللقطات حتى تبدو الرحلة متصلة وليست مجموعة صور منفصلة.

GLOBAL STYLE: Epic photoreal landscape cinema, cold natural color grade, 21:9, no people, no animals.
LOCATION: A vast volcanic valley after rain, black rock walls, bright moss, narrow streams and low drifting cloud.
SHOT 1: Ground-level wide shot moving slowly forward through wet grass toward the valley opening. Hard cut.
SHOT 2: Low-angle shot beside the basalt wall, moving forward under thin waterfalls. Hard cut.
SHOT 3: High aerial shot continuing the same forward direction above branching streams toward the cloud-covered peak.
CAMERA: The same slow, steady push-in rhythm in all shots; no shake.
PHYSICS: Water follows gravity, mist drifts unevenly, grass bends under real wind.
LIGHTING: Bright diffused daylight from the cloud layer.
AUDIO: Wind, distant water and low natural rumble. No music.

ارسم خريطة المكان قبل وصف الظلال

النوار لا يعتمد على تحويل الصورة إلى أبيض وأسود فقط؛ مصدر الضوء واتجاه الحركة ومواقع الشخصيات هي التي تصنع المشهد.

GLOBAL STYLE: 1940s noir, pure black and white, high contrast, rain-soaked atmosphere, 4:3.
LOCATION MAP: Camera remains on the south sidewalk facing north. Hotel entrance frame-right, streetlamp frame-left, wet road in foreground.
SCENE: A private investigator waits under the lamp as a taxi arrives and a mysterious visitor crosses toward him.
SCREEN DIRECTION: The taxi enters from frame-right. The visitor walks right to left. Direction never reverses.
SHOT 1: Wide locked composition establishing the investigator and full street geography. Hard cut.
SHOT 2: Telephoto portrait as headlights sweep across his face. Hard cut.
SHOT 3: Side tracking shot following the visitor toward the lamp. Hard cut.
SHOT 4: Compressed two-shot with both profiles in focus.
LIGHTING: One hard overhead lamp, deep eye shadows, reflected highlights on wet asphalt.
AUDIO: Rain, distant traffic, taxi engine and footsteps. No score, no narration.

امنح كل شخصية هوية ومكانًا ثابتين

كلما زاد عدد الوجوه زادت احتمالات تبدّلها. عرّف الشخصيات بأسماء وظيفية، وحدد ترتيبها داخل الكادر ومن يتحدث ومتى.

GLOBAL STYLE: Naturalistic ensemble drama, warm interior realism, 16:9.
CHARACTERS: MAYA, short curly hair and green cardigan. OMAR, shaved head and navy shirt. LINA, long dark hair and cream jacket. Faces and wardrobes remain identical.
LOCATION: Small apartment kitchen, one wooden table, window frame-left, refrigerator frame-right.
BLOCKING: Maya sits at the table's left side, Omar stands behind the center chair, Lina remains beside the window. Nobody swaps positions.
SHOT 1: Wide master shot containing all three characters. Hard cut.
SHOT 2: Over Maya's shoulder toward Omar as he places an envelope on the table. Hard cut.
SHOT 3: Close-up on Lina reacting silently. Hard cut.
SHOT 4: Return to the unchanged wide master.
CAMERA: Eye-level tripod, subtle human micro-movement only.
AUDIO: Room tone, refrigerator hum, paper contact. No music.

حوّل السحر إلى قواعد قابلة للتكرار

بدل عبارة عامة مثل “قتال ملحمي”، عرّف حجم المخلوق، سرعة الحركة، اتجاه الهجوم، وطريقة ظهور الطاقة أو اختفائها.

GLOBAL STYLE: Dark epic fantasy, large-format anamorphic cinema, 16:9, no blood.
SCENE: A mounted guardian crosses a ruined bridge while a stone giant rises from the canyon below.
SCALE LOCK: The horse is 1.7 meters at the shoulder; the giant is 12 meters tall; the bridge is 5 meters wide.
DIRECTION: The guardian travels left to right in every shot. The giant rises on frame-right and faces left.
MAGIC RULE: Sword contact releases blue-white sparks and cracks of light through stone; never liquid, never fire.
SHOT 1: Extreme wide view revealing the bridge and the giant's hand gripping the edge. Hard cut.
SHOT 2: Low tracking shot beside the horse accelerating. Hard cut.
SHOT 3: Telephoto view as the sword sweeps edge-first across the giant's wrist. Hard cut.
SHOT 4: Wide rear shot as the guardian clears the collapsing bridge.
PHYSICS: Heavy stone fragments, real horse weight, wind-driven cape and dust.
AUDIO: Hooves, stone fracture, canyon wind and low orchestral percussion.

اجعل الكاميرا موجودة داخل الحدث لا فوقه

أسلوب UGC ينجح بالحركة غير المثالية، والإضاءة المتاحة، وردود الفعل البسيطة. لا تستخدم لغة إعلانية مبالغًا فيها داخل المشهد.

GLOBAL STYLE: Authentic smartphone UGC, vertical 9:16, natural exposure, no studio polish.
SCENE: A creator unboxes a compact desk lamp in a small home office and tests its three light modes.
CHARACTER: Same creator, casual clothes, natural skin, no beauty filter.
PRODUCT LOCK: Exact lamp geometry and controls remain unchanged.
SHOT 1: Handheld selfie introduction while walking toward the desk. Hard cut.
SHOT 2: Phone placed on the desk, medium shot as the box opens naturally. Hard cut.
SHOT 3: Handheld close-up showing the button pressed once for each light mode. Hard cut.
SHOT 4: Simple before-and-after view of the desk illumination.
CAMERA: Real phone autofocus, slight exposure adjustment and subtle hand shake.
LIGHTING: Existing window light plus the product's own light.
AUDIO: Natural room tone, packaging sounds and casual spoken reaction. No background music.

لا تُظهر الخطر كاملًا

الخوف يأتي من المعلومات الناقصة: زاوية غير مريحة، ضوء لا يصل إلى آخر الممر، وحركة قصيرة في الخلفية لا تتكرر.

GLOBAL STYLE: Psychological horror, muted color, underexposed practical lighting, 2.39:1, no gore.
LOCATION: Narrow apartment corridor, peeling wallpaper, one flickering kitchen light at the far end.
SCENE: A tenant wakes at night and notices the kitchen door is slowly opening by itself.
FIRST FRAME: Camera is low behind the bedroom threshold; the tenant is foreground-right, corridor centered.
SHOT 1: Locked wide shot held uncomfortably long as the door moves five centimeters. Hard cut.
SHOT 2: Extreme close-up on the tenant's eye reflecting the flickering light. Hard cut.
SHOT 3: Slow handheld advance down the corridor; a shadow crosses the far wall once, then never returns.
CAMERA: Slightly tilted horizon, slow imperfect operator movement.
LIGHTING: Only motivated practical light, deep falloff, no fill light.
AUDIO: Building hum, pipe knock, bare feet and a single hinge creak. No music, no dialogue.

دع الكاميرا تكتشف الحدث بدل أن تستعرضه

المشهد الوثائقي يحتاج مسافة منطقية، وتأخرًا بسيطًا في إعادة التأطير، وأصوات موقع حقيقية تشعر المشاهد أنه موجود هناك.

GLOBAL STYLE: Observational documentary, honest natural color, 16:9, no staged commercial look.
SCENE: Before sunrise, a baker prepares the first batch of bread in a small neighborhood bakery.
CONTINUITY: Same baker, apron, tools and oven throughout.
SHOT 1: Shoulder-height handheld wide shot from the doorway as the baker enters the workspace. Hard cut.
SHOT 2: Medium side view as dough is divided and weighed. Hard cut.
SHOT 3: Close observational insert of flour on hands and the wooden bench. Hard cut.
SHOT 4: Long-lens shot from behind a shelf as the oven opens and warm light reaches the baker's face.
CAMERA: The operator reacts slightly late, corrects framing naturally and never performs a perfect orbit.
PHYSICS: Real dough elasticity, loose flour particles and oven heat shimmer.
LIGHTING: Existing cool window light and warm oven light only.
AUDIO: Mixer motor, tray movement, room tone and distant street ambience. No music, no narration.

هل يجب أن يكون البرومبت طويلًا؟

ليس بالضرورة. اللقطة الواحدة قد تنجح بوصف قصير إذا كانت المراجع واضحة. أما التسلسل متعدد اللقطات فيحتاج تفاصيل أكثر عن الاستمرارية والكاميرا والتوقيت.

كيف أكتب مشهدًا متعدد اللقطات؟

رقّم اللقطات، وحدد لكل لقطة حجم الكادر، وموقع الكاميرا، والفعل، والمدة، ونقطة القطع. استخدم Hard cut عندما تريد قطعًا صريحًا.

هل أحتاج إلى كل الأقسام في كل مرة؟

لا. يمكنك اختصار الشخصيات أو الموقع إذا كانت الصور المرجعية تقوم بهذا الدور، لكن من الأفضل ألا تهمل الأسلوب العام، وتسلسل اللقطات، والصوت.

ما أفضل طريقة للحفاظ على الوجه أو المنتج؟

استخدم مرجعًا واضحًا، وعرّف وظيفته، ثم أضف قاعدة استمرارية تمنع تغيّر الملامح أو الأبعاد أو الألوان بين اللقطات.